Individual Chains can also be duplicated and renamed. Since I first wrote about this in my SOS July 2010 article, Steinberg added the ability to create multiple Chains via the Arranger Track's Inspector panel. There are a few more detailed considerations though. This is all super-easy to do, but it's a really powerful feature because it allows you to experiment with all sorts of timeline-based variations of your musical arrangement without dragging parts around your arrange page. Now, on playback, instead of playing in linear fashion along the timeline, Cubase will follow the nonlinear sequence of events specified in your Arranger chain. Finally, toggle on the Activate Arranger Mode button (next to the 'e' edit button for the Arranger Track in the Project window's channel list). For each instance of each event, you can choose the number of times it should loop before moving to the next event in your chain. Next, in the Arranger Inspector panel or in the Arranger Editor window, create a chain of these Arranger events add and move them into the sequence you want to hear on playback. Events can be given unique names to replace the defaults (A, B, C etc.), and it's fine for events to overlap - for instance, you could create separate four- and eight-bar events starting at bar 12, beat one. Each one defines a time/bar range, and they can be played back by the Arranger Track in any sequence you define. Having created an Arranger Track (in the same way you create any other kind of track), creating a new arrangement requires just a few simple steps.įirst, create some events on the Arranger Track. It basically provides a way to move the playhead to different points in your arrangement on playback, so it can be used for any kind of timeline-based re-sequencing of a song's structure. ![]() I looked at the Arranger Track (in Pro, Artist and Elements) in SOS July 2010 ( ), when considering how to create advert-friendly, 30-second cues from a longer project. Most of what Cubase offers is good, but I'll also discuss workarounds for a few 'cons'. It's common, for example, for a professional engineer to be required to provide a 'vocal up' version of a mix, but there are various reasons any of us might want to create alternative versions of a project - different arrangements that extend or shorten a song, different effects options, or perhaps broadcast-friendly edits to disguise expletives! Whatever the reason, Cubase has a number of tools that can help, and in this article I'll explain how the Arranger Track and Cubase Pro 10's MixConsole Snapshots can help you create alternative mixes and arrangements more easily. ![]() Need to export different mixes from the same project? Cubase Pro 10 makes it easy…Įngineers often need to create alternative mixes of a project. ![]() The Arranger Track now allows you to construct multiple Arranger Chains - alternative arrangements of your track - in a single Cubase project.
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